Nov
18

I recently saw a tweet regarding putting every last solitary idea that comes to your mind into your story. At first glance, I figured they meant “give it your all, leave no stone unturned”, I’m all about that. Following the link, I read an article about some very different advice that, in my humble opinion, could really damage your story.

Summed up, the concept seemed to encourage one not to spare anything for a future story and never hold out any detail (large or small). There are a number of reasons that I tear my hair out at this idea, here are some of them.

Frequently, when penning a script or novel, the author (we’re talking first draft here) throws down masses of information; this, in itself, is not a bad thing, unless left unchecked. More often than not the first draft contains a hell of a lot of back-story. While it is important as the author to be fully immersed in the back-story, it is not always necessary to incorporate all of those details in your final draft; let the details inform but not dominate the script. Even in novel form, where back-story is far more acceptable, it should be used with both caution and purpose.

Covering scripts has also shown me that writers frequently struggle with organization and clarity as the result of unwittingly telling too many stories at once. A storyteller always has more than one tale to tell, it’s not necessary to tell them all in one script. If you find, for example, that you are genre-splicing, take a critical look at your story and ask yourself if the choices are vital to the plot or if they would be stronger as independent works?

So, yes, give “your all” to every story. Open yourself to your inner muse and let the ideas fill your pages; just don’t miss out on the opportunity to tighten your writing by seeing what goes in and what comes out.

Thanks for reading and keep writing!

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  • samanthaW87
    I am new to the world of writing and I would love to write a children's book. I have so many ideas but I am struggling to put them down on paper. Any advice please?
    Many thanks
  • saesaenorris
    First off -glad to have you back, Amy! Second, here's my take on using all the ideas that come to you: you will. Eventually. It is up to the writer to determine what is necessary enough to be included in a script. If a line, or piece of action, or a character is fantastic, but you keep getting the note (or the notion) that they are detracting from the story, then simply tuck that character away for another time.

    I once came up with a title that I had no idea what it meant, and I tried to fit it into the current script I was working on. It didn't mesh. Two years later, I came up with a premise for a story and wrote it down somewhere. About a year after that, when going through my notebook, I clearly saw that the Title and the Premise were meant to go together.

    Your subconscious will probably win every time. Just make sure you know how to listen to it. Good post, Amy! And welcome back!
  • Thanks Sae Sae! As always, great points! Glad you're reading, and it's wonderful to be back!

    xoxo
    Amy
  • I think this is why my one novel will be spliced into 3 before it is all said and done. Unless you're J.K. Rowling or Stephen King, no one wants to read a 1000+ page novel. People today are way too ADHD. Besides, selling one novel is good, selling 3 is better.

    PS: What is the perfect number?
  • Cindy,

    J.K. Rawling is a great example of using her information impressively well! She never mentions a character, a spell or an item without it being a set up or a pay off. Her books, while long are very tight. She also has done copious interviews where she reveals that she knows much more about the world she created than she put into her books.

    I agree as well that if you can sell a franchise that is better than selling one movie/book, ha ha, great point!

    The perfect number? You tell me. ;-)

    Thanks for your comment!
    XoXo
    Amy
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